Filmed at The Workplay Theater in Birmingham, AL 9-26-09 with Ona Watson.
Song available on Taylor's new album, The Distance.
On sale now! Pick your copy today!
Monday, December 7, 2009
Taylor Hicks DVD "Whomp at the Warfield" Drops Jan 5, 2010! Preview Here
Places you can pre-order the CD:
or
DVD Universe
Movies Unlimited
Barnes & Noble
Best Buy
Fry's
In Canada:
Chapters Indigo
Labels: Taylor Hicks
American Idol,
DVD,
Image Entertainment,
Taylor Hicks,
Whomp At The Warfield
Sunday, November 29, 2009
Ace Young to Join Touring Company of Grease
Ace Young made his Broadway debut in GREASE™ in the role of “Kenickie” last fall. An “American Idol” finalist in Season 5 and a Grammy nominated songwriter, Ace has guest-starred on Fox’s “Bones,” co-hosted “American Idol Extra” and co-produced his debut album, Ace Young.
As was previously announced, Lauren Ashley Zakrin stars as “Sandy.” Lauren Ashley Zakrin was most recently seen as the understudy for “Elle Woods” in the first national tour of Legally Blonde The Musical. She was a finalist on MTV’s “Legally Blonde The Musical: The Search for Elle Woods.”
Laura D’Andre’s credits include Petra in A Little Night Music (White Plains) and Eponine in Les Miserables (San Diego). Allison Fischer originated the role of “Patty Simcox” in the new Broadway production of GREASE™ and the role of “Claudia” in the Broadway production of Lestat. Jesse JP Johnson appeared on Broadway and Off-Broadway in Xanadu, Glory Days and Altar Boyz. Jamison Scott originated the role of “Eugene” in the new Broadway production of GREASE™ and appeared in the Las Vegas companies of Hairspray and Saturday Night Fever.
“American Idol” Season 5 winner Taylor Hicks continues to star as “Teen Angel.” Taylor Hicks made his debut on Broadway in the role. He achieved widespread fame in 2006 as a contestant on the hugely successful FOX singing competition “American Idol.” The tour also stars Will Blum as “Roger,” Bridie Carroll as “Jan,” Kate Morgan Chadwick as “Frenchy,” Kelly Felthous as “Marty,” Dominic Fortuna as “Vince Fontaine,” Roxie Lucas as “Miss Lynch,” David Ruffin as “Kenickie,” and Nick Verina as “Sonny.”
The ensemble features Joseph Corella, Preston Ellis, Erin Henry, Ruby Lewis, Dayla Perkins, Mark Raumaker, Mike Russo, Matthew William Schmidt, Christina Sivrich and Elizabeth Stacey.
After spending a hopelessly devoted summer with Sandy Dumbrowski, the new girl in town, Danny Zuko's world is thrown upside down when Sandy appears at Rydell High on the first day of school. What follows is a rock n' roll celebration of growin' up, cruisin' with friends and goin' steady. The new production of GREASE™ features songs from the smash hit 1978 motion picture for the first time ever in a Broadway production including “Sandy,” the Academy Award nominated song “Hopelessly Devoted to You,” “Grease” and “You’re the One That I Want” - both of which were #1 hits on the Billboard Top 100 list. These songs will be heard in addition to the Jacobs/Casey songs made famous by the original stage production: “Summer Nights,” “Greased Lightnin’” and “We Go Together.”
Directed and choreographed by two-time Tony Award-winner Kathleen Marshall (The Pajama Game, Wonderful Town), GREASE™ features book, music and lyrics by Jim Jacobs and Warren Casey. Additional songs from the movie are by Barry Gibb, John Farrar, Louis St. Louis and Scott Simon. GREASE™ features scenic design by Tony Award winner Derek McLane (33 Variations), costume design by two-time Tony Award winner Martin Pakledinaz (Thoroughly Modern Millie, Kiss Me Kate), lighting design by Tony Award winner Kenneth Posner (The Coast of Utopia, Wicked) and sound design by Brian Ronan (Spring Awakening, Curtains).
GREASE™ is produced on tour by Paul Nicholas and David Ian, Nederlander Presentations, Inc. and Terry Allen Kramer by arrangement with Robert Stigwood.
The national tour of GREASE™ continues as follows:
- December 1 – 6, at Ovens Auditorium, Charlotte, NC
- December 8 – 13, at the Overture Center for the Arts, Madison, WI
- December 15 – 20, at the Chevrolet Theatre, Wallingford, CT
- January 12 – 24, at the Fox Theatre, St Louis, MO
- January 26 – 31, at Proctor’s Theatre, Schenectady, NY
- February 9 – 21, at the National Theatre, Washington DC
- February 23 – 28, at the Marcus Center for the Performing Arts, Milwaukee, WI
- March 9 – 14, at the Benedum Center, Pittsburgh, PA
- March 16 – 21, at the Auditorium Theatre, Rochester, NY
- March 23 – 28, at Shea’s Performing Arts Center, Buffalo, NY
- April 7 – 18, at the Canon Theatre, Toronto, ONT
- April 20 -25, at the Hershey Theatre, Hershey, PA
- April 27 – May 2, at the Times Union Center, Jacksonville, FL
- May 4 – 9, at the Walton Arts Center, Fayetteville, AR
- May 11 – 23, at the Palace Theatre, Cleveland, OH
- June 1 – 13, at the Opera House, Boston, MA
Labels: Taylor Hicks
Ace Young,
American Idol,
Danny Zuko,
Grease,
Taylor Hicks,
Teen Angel
Monday, November 23, 2009
Taylor Hicks & Brett Favre @ Grease!
Brett Favre paid a visit to Grease on Friday night! Here is a picture Taylor put up on Twitter! Two very handsome men, eh? (Click on picture for full image)
Labels: Taylor Hicks
American Idol,
Brett Farve,
Grease,
Taylor Hicks
Saturday, November 21, 2009
Taylor Hicks Leaves Audience Swooning in Grease Performance
Taylor Hicks definitely left his mark on Minnesota's Orpheum Theater, when he apparently touched a lot of souls with his performance of the Teen Angel in the touring production of Grease. Check out this great reaction from the Twin Cities, Daily Planet. The rest of the review can be read at the link.
Of course, we can't forget one of the biggest reasons for a packed opening night theater crowd: a performance from the platinum-selling recording artist and American Idol winner, silver-haired country boy Taylor Hicks. Appearing as "Teen Angel," Frenchy's dreamy advice-shelling song bird, Hicks makes his theatrical entrance by bursting out of a giant 15-cent ice cream cone. Commanding the stage as his bluesy adaption of "Beauty School Drop-Out" encourages the puzzled pink haired Pink Lady to "turn in her teasin' comb" and go back to high school. Even in the darkened aisles of the Orpheum, I could see audience members—especially women in their 40s and 50s—light up with sheer glee to see the Bruce Springsteen vocal ringer and "Idol" star live and shaking his stuff in a glitter adorned, Vegas-style angel suit. And when Hicks pulled out a harmonica from deep within the tight pockets of his shimmery slacks to give the number that signature Hicks quality, I was sure someone in the crowd was going to have a heart attack. Whether or not Simon Cowell would approve of his performance is a moot point. This night it was all about the audience's opinion, and they loved it.
Labels: Taylor Hicks
American Idol,
Grease,
Orpheum Theater,
Taylor Hicks,
Teen Angel,
Twin Cities
Monday, November 9, 2009
"My Trusty Harmonica" - Taylor Hicks in Never Before Seen American Idol Footage!

Taylor Hicks fans are in for a treat this week on American Idol Rewind, Season 5. Never before seen footage of his acupela audition of the Bill Wither's classic, "Ain't No Sunshine" was shown. After seeing this, it's no a wonder why Taylor completely dominated Season 5. In his own words, he was separating himself from the rest of the pact with his unique presentation, look and style - and boy, did he in a big way! I mean, really, how many other hopefuls ever got down on their knees and sang, ".... ain't no, ain't no, ain't no, ain't no, ain't no sunshine when she's gone ..." All this while getting his competitors in the audience to clap in unison for him to help him sing the song. All those years in the roadhouses learning how to entertain surely came in handy at that point. Bucky Covington, a finalist that year, was right when he said "Then I heard him sing and I said shit! He's going to win this thing"! I maintain he was the best all around performer ever to grace that American Idol show. Enjoy!
Taylor Hicks - Idol Rewind 5 - Hollywood Week from SoulForever on Vimeo.
Labels: Taylor Hicks
Ace Young,
Ain't No Sunshine,
American Idol,
Bill Withers,
Bucky Covington,
Chris Daughtry,
Rewind,
Taylor Hicks
Friday, November 6, 2009
First Look at the New Taylor Hicks DVD "Whomp at the Warfield" Available 1/5/10
The long awaited DVD from Taylor Hicks, "Whomp at the Warfield", filmed in May of 2007 at the historic Warfield Theater in San Francisco, is finally being released on Jan 5, 2010. These on-line outlets are filling pre-orders now, but will the DVD will be available in all retail outlets whereever DVDs are sold on the date of release. Amazon.com preorder is coming soon! In the meantime, order from any one of the following online sites.


DVD Universe
Movies Unlimited
Barnes & Noble
Overstock.com
TMC - Turner Classic Movies


DVD Universe
Movies Unlimited
Barnes & Noble
Overstock.com
TMC - Turner Classic Movies
Labels: Taylor Hicks
Acoustic Music,
Adam Lambert,
American Idol,
CD Release,
Chris Daughtry,
Kris Allen,
Taylor Hicks,
Whomp At The Warfield
Sunday, October 25, 2009
Daughtry Bores Fans at Arena Concert
According to Madison.com, Daughtry's first arena tour flopped hard! The fact that tickets are being cut in half for his tour (some being sold for as little as $13.99 and still not selling out) and his new album flopping at the record stores (and soundscan), I'd say Daughtry's 15 mins are just about up. Read on...
Fifty-two years ago, when Jerry Lee Lewis pounded out that dizzy rock 'n' roll classic "Great Balls of Fire," could he have even imagined a time when actual balls of fire would thunder forth onstage to a flaccid version of the genre he helped define?
Probably not. He probably couldn't have imagined "American Idol," either, or the relentless stream of carefully packaged singers it keeps shooting out.
Yet here we are. Saturday night at the Alliant Energy Center, massively successful "American Idol" finalist Chris Daughtry staged a spectacle with his band Daughtry that copped rock's power without much heart.
Yes, there were great balls of fire, torrents of sparkly firecrackers and booming canon shots. Daughtry (the man) can posture all he wants, hold his arms up to the heavens in actorly distress and flex his sculpted and tattooed biceps, but he never called forth anything like the feral shiver of Lewis yelping "I want to tell the world that you're mine, mine, mine, mine!"
But let's forget Jerry Lee Lewis for now. He's such a distant cousin to today's hard rock that it's a bit of an unfair comparison. Even in the context of the hard rock genre that Daughtry places itself in, however, Saturday night's show fell short. There were many times during the show when the band came close. Lead guitarist Josh Steely would pluck out a nasty opening hook, and I'd think "Alright! Rock 'n' roll!" But then Daughtry (the man) would neuter it with a plodding melody and brooding lyrics.
So he's a sap and doesn't do anything Creed or Nickelback hasn't already done. This should come as no surprise to anyone who's heard the band's self-titled 2006 debut or this year's follow-up, "Leave This Town." But what's most disappointing is that Daughtry can't muster the emotions of the songs any better live.
Even the fans, who filled about two-thirds of the Coliseum, looked bored during songs like "One Last Chance" and busied themselves with cell phones and texting. In general, though, the crowd gave the band an enthusiastic reception, sang along to the radio hits and pummeled the ground like a stampede of animals for the encore. It's amazing what being on television will do for a band.
Like openers Cavo and Theory of a Deadman, Chris Daughtry is a gracious presence on stage and seemed genuinely grateful to be performing. His energy never lagged during the 90-minute show, and whatever he lacks in songwriting and emoting, he makes up partially with his fine, arena-ready voice -- all the more impressive on Saturday evening since he said he'd spent the day before sick in his hotel room.
Mid-show the rest of the band left the stage, and he sat on a stool for a faithful acoustic cover of Phil Collins' "In the Air Tonight." ("Put that song on the top of the list of songs I wish I wrote," he said afterward.)
Daughtry can belt out a ballad, but his voice sounded best in arena rock mode. Likewise, the band seemed most comfortable and at ease battering out larger-than-life rock like the grand finale "There and Back Again." In between Daughtry's megaphone-distorted vocals and bassist JP Paul's slapping solos, "There and Back Again" was the only time during the show when the music seemed worthy of fire balls.
Fifty-two years ago, when Jerry Lee Lewis pounded out that dizzy rock 'n' roll classic "Great Balls of Fire," could he have even imagined a time when actual balls of fire would thunder forth onstage to a flaccid version of the genre he helped define?
Probably not. He probably couldn't have imagined "American Idol," either, or the relentless stream of carefully packaged singers it keeps shooting out.
Yet here we are. Saturday night at the Alliant Energy Center, massively successful "American Idol" finalist Chris Daughtry staged a spectacle with his band Daughtry that copped rock's power without much heart.
Yes, there were great balls of fire, torrents of sparkly firecrackers and booming canon shots. Daughtry (the man) can posture all he wants, hold his arms up to the heavens in actorly distress and flex his sculpted and tattooed biceps, but he never called forth anything like the feral shiver of Lewis yelping "I want to tell the world that you're mine, mine, mine, mine!"
But let's forget Jerry Lee Lewis for now. He's such a distant cousin to today's hard rock that it's a bit of an unfair comparison. Even in the context of the hard rock genre that Daughtry places itself in, however, Saturday night's show fell short. There were many times during the show when the band came close. Lead guitarist Josh Steely would pluck out a nasty opening hook, and I'd think "Alright! Rock 'n' roll!" But then Daughtry (the man) would neuter it with a plodding melody and brooding lyrics.
So he's a sap and doesn't do anything Creed or Nickelback hasn't already done. This should come as no surprise to anyone who's heard the band's self-titled 2006 debut or this year's follow-up, "Leave This Town." But what's most disappointing is that Daughtry can't muster the emotions of the songs any better live.
Even the fans, who filled about two-thirds of the Coliseum, looked bored during songs like "One Last Chance" and busied themselves with cell phones and texting. In general, though, the crowd gave the band an enthusiastic reception, sang along to the radio hits and pummeled the ground like a stampede of animals for the encore. It's amazing what being on television will do for a band.
Like openers Cavo and Theory of a Deadman, Chris Daughtry is a gracious presence on stage and seemed genuinely grateful to be performing. His energy never lagged during the 90-minute show, and whatever he lacks in songwriting and emoting, he makes up partially with his fine, arena-ready voice -- all the more impressive on Saturday evening since he said he'd spent the day before sick in his hotel room.
Mid-show the rest of the band left the stage, and he sat on a stool for a faithful acoustic cover of Phil Collins' "In the Air Tonight." ("Put that song on the top of the list of songs I wish I wrote," he said afterward.)
Daughtry can belt out a ballad, but his voice sounded best in arena rock mode. Likewise, the band seemed most comfortable and at ease battering out larger-than-life rock like the grand finale "There and Back Again." In between Daughtry's megaphone-distorted vocals and bassist JP Paul's slapping solos, "There and Back Again" was the only time during the show when the music seemed worthy of fire balls.
Labels: Taylor Hicks
Alliant Energy Center,
American Idol,
Arena,
Daughtry,
Flop,
Review,
Taylor Hicks,
Tour
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