Taylor Hicks - The Ultimate Musician's Musician on New Album

The brilliant reviews keep a-coming in for The Distance, the new Taylor Hicks album. This Blogscritic Review has some wonderful insights into the man and his music in the following piece. Enjoy and feel free to discuss your interpretation of the album, the music or the review.




Music Review: TAYLOR HICKS - THE DISTANCE

Written by The Other Chad
Published March 31, 2009

These days everyone seems all too eager to beat up on Taylor Hicks. Many people have forgotten the reasons why he won the ultra-competitive fifth season of American Idol. His victory has been written off as some kind of accident, as if he wasn't a great performer. To the naysayers, I say this: he was, and still is, a fantastically talented singer/songwriter. That much is in obvious evidence on The Distance, Hicks' newly released second album.

At its best, The Distance makes up for the shortcomings of 2006's Taylor Hicks, which was released shortly after his Idol win. The earlier album, though not without shining moments, was the result of a production team unsympathetic to Hicks' strengths.

Now, with producer Simon Climie on board, we can hear Hicks' as nature intended — no synths, drum programming, or ill-advised Ray Charles samples (all of which were heard on the debut). The Distance isn't as raw as it could've been, with some too-smooth production on a few tracks, but by and large this album should put to rest doubts about Hicks' skills. At least for those who give it a fair shot.

The first half of the album aims to cover as much stylistic ground as reasonably possible. The title track, the first of seven Hicks' songwriting credits, is a slice of heartland rock that wouldn't sound out of place on a John Mellencamp album. A non-partisan plea for setting aside political differences in favor of working towards a common goal, "The Distance" is a great opener and a highlight of the album.

From there on, the mood shifts frequently, touching on soul ("What's Right Is Right"), funky pop ("New Found Freedom"), country ("Nineteen"), and Latin rhythms ("Once Upon A Lover"). "Nineteen" would make an especially good choice as a future single, with its timely theme of paying tribute to a fallen soldier. Hicks' powerful reading of this song might help it find a home on the Country charts.

With "Seven Mile Breakdown," Hicks' is in his element. He tears through this bluesy number with passionate conviction. "Maybe You Should," a ballad co-written by Hicks and Mike Reid (who wrote the classic "I Can't Make You Love Me"), is even better. This somber ode to a failed relationship stands out as the single best track on the album. The vocal is absolutely restrained, yet it conveys his resigned heartbreak vividly. In a recent interview, Hicks said he considers this one of his best songs. He has every reason to be proud of it.

There are bonus tracks available on The Distance, depending on where it's purchased from. The iTunes version contains a cover of the funk classic "Yes We Can." This song, written by Allen Toussaint and first recorded by Lee Dorsey way back in 1970, is the weakest of the three available exclusives. Hicks offers up a strangely dispassionate interpretation that won't make anyone forget the Pointer Sister's definitive version from 1973.

Much better is the Wal-Mart bonus, a cover of a largely forgotten Ray Charles hit, "Hide Nor Hair." It's a fun song that allows Hicks to pay tribute to his hero. Best of all is the Target exclusive, a stellar reading of Foy Vance's "Indiscriminate Act Of Kindness." This seven minute, sparsely arranged tune displays the full range of Hicks' vocal skills.

Though the sales figures haven't been particularly strong so far, it should be noted that The Distance is an independent release. Without much promotion the album is struggling to gain attention. Keep in mind though that this time last year many were declaring Hicks' career dead in the water. He lost his record contract and was all but abandoned by Idol.

Yet since then, he's played to sold-out theaters on Broadway and all around the country in Grease, released an excellent compilation of pre-Idol recordings (Early Works), and now has a new album on Billboard's Top Ten Independent chart. As he sings in one of The Distance's best tracks, "I live on a battlefield."

Taylor Hicks is a survivor and is obviously bound and determined to continue earning a living doing what's in his blood: making music.

Taylor Hicks: Proud To Be A Musician, To Play Music For A Living

As a child of divorced parents, recent Manila visitor Taylor Hicks found solace in music. He fell hard for black artists; getting to watch them in concert convinced him that he should follow their lead.

For 10 years, Hicks toiled as a professional singer, making the rounds of bars and clubs (even parties) around the southeastern states, including those near his hometown, Alabama.

Though he wasn’t signed to any label, he already had two albums—“In Your Time” and “Under the Radar”—both self-produced, prior to his self-titled major label (Arista/Sony BMG) debut which came after he became the 2006 American Idol.

Despite worldwide attention following his triumph, Hicks remains grounded and doesn’t mind being referred to as the oldest or least likely-looking Idol. What he’s most proud of, simply, is being a musician.

How did your parents’ divorce affect you?

Any child who goes through a divorce has to find a happy place. For me, music was that happy place. It became my passion and outlet for my feelings.

How did you find the music that you love?

I first heard Sam Cooke and Ray Charles on the radio, in a program called AM Gold.

Was there a conscious effort to emulate these influences?

Yeah, but once you hear all these great artists and musicians, you want to recreate something for yourself. That’s when you try to take off and create your own music.

What was the biggest difference between your first two independent albums and the major label debut?

The first two were my music, songs that I’ve written. The third had other songwriters and producers. That was a great learning experience which helped me become a better recording artist.

How do you rate the first two albums?

I think the first one definitely needed some work. The second one was the better attempt. And the third was me understanding what it was like to have a bigger production.

You described the third album as organic.

What I tried to accomplish was take some of the organic influences and cross them over with pop sensibilities. I think I got a good shot at it.

What band or solo artist, do you think, has been very influential these past few years?

I think Norah Jones brought us back down to earth commercially with “Don’t Know Why.” It allowed songwriters and people with pure musical talents to be heard on radio, as opposed to the more “produced” sounds. For me, personally, it’s Ray La Montaigne. He’s a great soul singer.

Do you remember watching a concert that changed your life?

I was 6 or 7 when I saw Lionel Richie and Tina Turner in concert. Seeing those two performers, right off the bat, didn’t hurt anything.

You look more fashionable now. Do you have a stylist?

I go shopping and comb my hair just like everybody else. But you know what? I take that back, ’cause very little do I comb my hair, although I put gel in it.

Have you ever thought of dyeing your salt-and-pepper hair?

No. I would be scared to [do that] because nobody would know who I am.

What if it all turns white?

Then I may have to reconsider.

You were referred to as the oldest American Idol in the early part of the contest. Did that affect you?

You could say I was the oldest and the wisest! I knew it was up to America to vote. Some of the judges’ comments, I just let them roll off my back.

Clive Davis (record company boss) signed up Chris Daughtry (2007 AI fourth placer) even earlier than you.

Chris deserves all that. He’s a rock singer and songwriter. Considering how popular rock music is right now, that’s a no-brainer.

Before AI, you spent time in Nashville pursuing your music career, although it didn’t pan out.

I was trying to make it for 10 years. I did everything possible and created every opportunity just to make it. I thought Nashville was a good place for me, at the time, to be heard. It taught me a lot about myself.

Are you proud to be called a white soul/R&B singer?

I’m just proud to be a musician, to play music for a living.

How do you see yourself 10 years from now?

Completely white hair. But hopefully still playing music, touring, maybe sitting here with you for another interview.

Source: Inquirer.Net

Taylor Hicks on Pinoys, Gray Hair, & Simon Cowell

Happy Holidays and Happy New Year Everyone!

Next year promises to be a great year for Taylor with lots of goodies in store for his fans (a HOT new DVD: "Whomp At The Warfield", A New Album and a New Tour - for starters). Thanks Taylor for a fun and successful year and here's to more good times & good music ahead!

Be sure to catch HDNet's rebroadcast of the Taylor's DVD concert from the Warfield Theater, tonight, Sunday, December 23!

I'd like to rap up 2007 with a video from another one of my heros, John Lennon - a message that is as relevant today as the day it was made. See y'all next year!


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Taylor Hicks on Pinoys, Gray Hair & Simon Cowell
CULTURE VULTURE By Therese Jamora-Garceau
Sunday, December 23, 2007

Like Dorothy in the Wizard of Oz, Taylor Hicks has got the feeling he’s not in Kansas anymore. Having flown overseas for the first time to perform a series of concerts at Ayala’s Glorietta, Greenbelt and TriNoma malls, the American Idol is a long way from home (in his case, Birmingham, Alabama), and don’t he know it.

I can tell he’s well out of his comfort zone when I meet him at the Ascott Makati Hotel, where he laid his head for five days. I was expecting the Taylor Hicks I saw on American Idol — the exceptionally warm, friendly, down-to-earth Southerner who recruited millions into his Soul Patrol — not just because he could sing so well but also because he was so dang endearing.

The Taylor Hicks I shake hands with doesn’t smile immediately. He seems wary, guarded, and not quite warmed up yet for the first interview of the day.

But a similar scenario played out at his Glorietta 4 concert the night before. About a thousand fans turned out to watch him sing songs like Just to Feel that Way and The Maze from his Idol-produced album, “Taylor Hicks.”

When Hicks emerged, looking much leaner than his Idol days but still sporting the same George Clooney-esque salt-and-pepper hair, he was moving around and singing well, but where was the frenzied, quirky dancing? Where was the harmonica playing?

Backed by all-Filipino musicians culled from Louie Ocampo’s band (Ayala reps say Hicks was extremely impressed and happy with his Pinoy backup, with whom he bonded tightly), by the time the 30- to 50-something Makati crowd had started to clap and sing along, Hicks had warmed to them as well. After a show-stopping rendition of Taking it to the Streets, Hicks ended the set by finally whipping out his harmonica and letting ’er rip. Do I Make You Proud hit the right “senti” note with Pinoys, and during the danceable Heaven Knows, Hicks started twirling his arms frenetically, shouted, “Soul Patrol!” and did his trademark Ray Charles side bend with matching “Whoo!”

Now, that’s the Taylor Hicks we know and love.

What did you know about the Philippines before you came here?

A little bit from my friend Sway Penala. Sway was on the American Idol finale with me. And he told me how cool it is and how musical of a country it is. And I told him one day I’d get a chance to go and so here I am, and I’m excited about it.

What’s the most surprising thing you’ve found out since you arrived?

The traffic isn’t nearly as bad as Jakarta, Indonesia (where he went to judge Asian Idol), so I was pretty excited about getting from the airport to the hotel so quickly.

Are Filipinos similar to Southerners in any way?

Yeah, we both kind of live in very humid climates. So the weather here is similar to the weather back home.

Are you still carrying your statue of Ray Charles with you?

I’ve got Ray. He’s upstairs in my room, actually.

Why is gospel music so important to you?

I think it connects with spirituality. And I think there should be a certain element of spirituality in music, period. So I think that’s a key.

Did you have a religious upbringing?

No, not really. But I did listen to some gospel music and music has definitely helped me through some tough times. So the gospel sound is an influential part of my music.

You said before you had a troubled childhood. What kind of trouble did you get yourself into?

I think all kinds. Well, you know, with (my parents’) divorce and moving around a lot as a kid and stuff, I think the constant variable for me was music. It was more uplifting. Starting to play music and perform music — it started to take me away.

How small is your hometown, Birmingham, Alabama? Are you friends with Bo Bice?

Actually, I’ve met Bo a couple times. Yeah, Birmingham’s a small town, so everybody knows everybody.

How important is it to have a gimmick on American Idol?

What do you mean by “gimmick”?

I mean to have your own style. Like Sanjaya with the hair? Something to set yourself apart from the other contestants.

Well, I think you want to do that musically, to begin with. For me, the music and the performance come first. I think it’s second when you have to differentiate yourself between the other contestants. But I think the choices of songs can help you differ yourself from the other contestants.

So when did you know you had won over Simon Cowell?

I don’t think I’ve won him over yet. I’m still trying. (Laughs)

He never threw you a bone?

Not at all.

How different is it being a local celebrity in your home state to being a national idol?

Well, you know, the pressures are greater. The pressures on being a celebrity, it’s pretty big, ’cause everybody’s looking at you.

Since you won, has there been any pressure to change your image, from dyeing your hair to losing weight?

You know, not really. I think the gray will stay.

I thought the best songs on the album were the ones you wrote, Soul Thing and The Deal. What’s your songwriting process?

I think it’s just whenever it hits you. You know, whenever you get inspired, you should try to act on it. Basically, when the muses hit, then that’s when you take off.

Do you start with music or lyrics first?

It depends on where the inspiration comes from.

Do you keep a notebook with you?

Sometimes I do. If you look at my house back home, you’ll see little notes scribbled everywhere. It’s not just one main notebook, I think it’s a lot of different papers spread all over the room.

With “Taylor Hicks,” your solo album, are you still in touch with the authentic sound you started out with?

Yeah, yeah, I think I am. I think it’s been a fine line that you have to walk between pop sensibilities and authenticity of the older styles — so that’s the kind of sound that you want to create, you know.

How do you feel performing genres other than soul, R&B, and gospel?

I love all styles of music, so, you know, I’ll perform anything at any time.

How do you inject soul into other people’s music?

I think it has to have feeling, you know. You have to connect with your lyrics.

How much creative control did Clive Davis give you in recording your album?

I think, for every artist in that situation, not as much as you want, to begin with. But, you know, some of the songs that I was given for the album were great songs. So I had a lot of great music to pick from.

Did he give you the producer you wanted?

Yeah, we came to an agreement about the producer. I think Matt Serletic was a good choice for that first album.

They also just give you the songs?

I get to pick what songs. They give me 500, and I get to choose. I chose the best songs that fit my voice and my style.

Did you accomplish everything you dreamed of musically with this album?

I definitely think that there’s more music to be made. I’ve released two albums previous to American Idol: one is “Under the Radar,” and “In Your Time,” with my own band before AI, and you know, this is my third album I’ve created, basically. But this fourth one will probably sum up all the work I’ve done on the previous three albums.

Do you still play with your band?

Some of the members I do have in the band, some of the members I auditioned for. You know, you try to make the best music possible. That’s your goal as a musician.

When you won, did it spike the sales of your previous albums?

Yes. A lot.

Do you hope to win over with your performances anything you didn’t get across in the album?

You know, I want to try to take what I learned in the studio and what I learned from a live setting and combine them together to create the sound, whether it’s an album or whether it’s live. I think the more I can learn how to record and play, the better off I’ll be as a recording artist.

Do you plan to record a follow-up soon?

This year sometime. This coming year.

What’s next for you?

Well, the DVD’s coming out — it’s called Whomp at the Warfield, and that’s a theater in San Francisco — and a brand-new album and a brand-new tour. And hopefully, I’ll be back in the Philippines playing for you guys soon.

You had a lot of really enthusiastic fans at your Glorietta 4 Park concert last night.

Yeah, it’s really cool. Ayala Malls have been really nice to bring me over here and let me perform, and hopefully I can come back, not only to perform but to vacation, too.

Were you at all nervous about what sort of reception you’d get?

Um … a little bit, yeah. (Laughs) You know, I’m a long way from Alabama. So, you know, you definitely get a little nervous, but I think music is a universal language and I’m learning: it does cross barriers.

How was your experience judging Asian Idol?

I thought it was really cool. You know, there’s so many great singers that were on the show from each country. It’s amazing that all the countries in Asia can come together and perform on a show like that. It was a really neat thing to see.

What song on your album do you consider essential Taylor Hicks?

Soul Thing. That song has really come alive as far as the live concert goes.