From Stolen Album to Stolen Hearts ... This Idol's In Heaven

From the Philadelphia Daily News

By JONATHAN TAKIFF
Philadelphia Daily News
takiffj@phillynews.com 215-854-5960

WE WERE supposed to be talking about his spotlight role in "Grease" (opening tomorrow at the Academy of Music), or maybe his current album, "The Distance," or maybe his tell-some memoir, "Heart Full of Soul," which recounts the guy's rise from a humble Alabama childhood to the Season Five winner on "American Idol."
But the morning I caught up with Taylor Hicks was a sad one. Michael Jackson had died the night before, and the shock hadn't worn off. First, we had to grieve.

"Of course I was a big fan," Hicks said on the cell phone from Detroit, where "Grease" was in residence and, ironically, where M.J. first got props as a member of the Jackson Five, recording for Motown.

Younger than his prematurely gray eminence suggests, the now 32-year-old Hicks first tuned in to Jackson during the age of "Thriller" - "at the height of his success and popularity. I think I wore a white glove to kindergarten. Yeah, I was a big fan. My generation was right there in the popular demographic, but the thing with Michael is that he didn't just reach us kids, he touched three or four different generations. There's very few that have done that."

Another Idol heard from
Ironically, the "blue-eyed soul"-styled Hicks is another singer who has won an unusually diverse fan base (dubbed the "Soul Patrol"), thanks to the inordinate reach of that TV talent contest which crowned him an idol - with 36.4 million viewers watching.

When I asked Hicks to describe whom he sees cheering when he makes his floating-from-the-clouds entrance as the Teen Angel in "Grease," he described them as "all over the board, people from 8 to 80.

"That's the great thing about a show like 'Idol.' It brings generations together and teaches a younger generation about music that has had an impact, and is why music is what it is today. How many 10-year-old children get to listen and explore the sounds of Tony Bennett in their own home? That's the amazing part of that show. I like to say it's a substitute for the decline of liberal-arts programs across the country. It's a kind of music class. Some of the liberal-arts programs in elementary schools have taken quite a hit in the past 10 years, and 'Idol' luckily has been able to substitute for some of that."

Doing it his (their) way
Maybe the least likely "A.I." candidate to ever win the competition, Hicks' taste in music and performing style skew a lot more towards old Cocker (Joe) or McDonald (Mike), a lot less to Usher or Timberlake (Justin).

At that legendary "A.I." tryout in Las Vegas that he went to on a fluke "after getting a free ticket from an airline for being bounced from a flight out of hurricane-torn New Orleans," Simon Cowell told Taylor that he didn't have a chance. Still, the guy won over Paula Abdul and Randy Jackson with a down-home treatment of "Swanee River Rock" lifted whole from Ray Charles.

The first record Hicks ever owned - OK, stole - from a store, he tells in "Heart Full of Soul," was an Otis Redding album, "Shake."

And even in his high-school years, his heart belonged to vintage (and mostly southern-fried) rhythm-and-blues music. "When everyone else was listening to Blind Melon, I was listening to Solomon Burke." [Actually from Philly, but maybe the first talent to successfully merge soul and country.] "You know, Burke was also the first guy to use the cape and the red rose in his show, and James Brown kind of stole his act, so to speak. Then they'd say of Michael Jackson that the last guy who moved like him was James Brown. Funny how things go 'round like that."

Hicks believes he won on "A.I." by taking control of the situation, playing by his own rules and staying grounded. "I'd spent so many years trying to make it, that I like to think I had the focus, once the big movement started happening. My life experience" - which included years of roadhouse singing in Alabama, two indie albums and an erstwhile recording project in Nashville under the guidance of another soul legend, Percy Sledge - "gave me a boost up. I used the harmonica to my advantage on the show, even when told it might get me disqualified." (The next year, 'A.I.' candidates were officially allowed to play instruments on stage.)

And Hicks had "another pioneering thought" that he put into play. "I was the first to write the endings of my songs. They gave me two minutes to 'play that funky music,' and I made sure my endings were powerful and signature enough to move me along in the competition."

Grease is the word
This whole alliance with "Grease" is another offbeat move that has left some scratching their heads, but which Hicks sees as a smart career strategy.

Cut loose under "mutual agreement" from 19/Arista Records after his cheesily produced debut album, "Taylor Hicks," sold only a million copies - the lowest sales figure to date for a winning Idol - Hicks went off and made a clearly superior album for his own Modern Whomp Records label. "The Distance" takes a more organic, gritty approach (no generic backing singers, no syrupy strings) with thoughtful, soul-pop and country-style songs (9 authored/co-authored by Hicks) and excellent backing by the same guys who tour and record with Eric Clapton (among other notables.)

But without the big-bucks tour support that he might have gotten from a major label, going out and promoting this project across the nation seemed daunting.

Enter "Grease" - that much-loved, cartoon-ish musical homage to the early days of rock and roll, hot rods, teen hoodlums and high school romance which was back on Broadway last year in a new production featuring winners of a TV talent contest (!!!) called "Grease: You're the Won That I Want."

Hicks joined the show in New York last spring for what was supposed to be a three-month special guest appearance, cast as the "Teen Angel" (played in the movie by aging Philly pop idol Frankie Avalon). You know the part - the handsome charmer who urges the "Beauty School Dropout" to go back to high school. Hicks got to do the number his way, adding some wailing, bluesy harmonica work. The creative team also popped him into the "Megamix" at the show's end, wherein he reprises the title song - one of four hits from the 1978 movie version added to this stage production.

Clearly, Hicks' self proclaimed "babysteps . . . walk before you run" participation in the Broadway musical constituted just a "cameo." But his name recognition and presence spelled "star power" for the production - translating into an extra $150,000 a week in ticket sales, reported the New York Post.

Then, at year's end, Hicks got an offer he couldn't refuse to join the national touring production. Therein, he'd also get to plug/perform a single from his soon-coming-out album as another encore treat. The deal sounded so good, he signed up to travel with the show until June, 2010.

"This is a wonderful way to be able to let fans new and old see me in a part and also see me as an artist," Hicks explained. "Nowadays, you have to be creative in the way you get your music and voice heard. The way the road tour is structured, it's a really cool way to exercise that concept. It's very rare that an artist, an entertainer, gets to go into a city to perform and stay in that particular market for multiple days or weeks, to work a Broadway show and work a record."

In some cities - though not this one - Hicks flies in his touring band and does a late night showcase at a club. Here, he'll surely be popping up on local TV and radio shows to plug stuff. And Soul Patrolers will find him out in the lobby after every performance "to sign merchandise and CDs and shoot the breeze" just like the down-to-earth "idol" he is. *

"Grease" plays at the Academy of Music, Broad and Locust streets, tomorrow through July 19. Performances Tuesday-Thursday at 7:30 p.m., Friday and Saturday at 8 p.m., Sunday at 6:30 p.m., matinees Saturday at 2 p.m. and Sundays at 1 p.m., $25-$100, 215-731-3333, www.kimmelcenter.org/broadway.

Taylor Hicks Brings the American Idol House Down Once Again!

Taylor Hicks seized the moment and conquered the American Idol stage yet again - 3 years after he was crowned Season 5 Winner. He performed flawlessly - blowing some harp and earning a standing ovation from all 4 judges - yes, included Simon Cowell - I know, I was floored too! And as far as I can remember, the judges have NEVER given a returning Idol a standing ovation before tonight. Kudos, Taylor for getting them on their feet for you! He looked so stunning in a black sleeveless vest, form fitting jeans, and boots. Simon cames in his underwear. Nice, Simon. Taylor outshined all the other guests with his charisma, his stunning voice and his mere presence. Yes, he IS a STAR in every possible sense of the word. Enjoy the performance, fellow fans, and check out the pictures!

The SoulMan, Taylor Hicks, Hits The American Idol Stage Tonight!

Taylor Hicks comes home tonight to the stage that he completely dominated 3 years ago. Yes, the American Idol Season 5 winner takes the stage to sing his brand new single, the brilliant Seven Mile Breakdown, which will be released to country radio on May 5. It's one of the best songs on Taylor's newly released CD, The Distance. If you haven't picked up a copy yet, run and do so!

Things to watch out for tonight:

1. Taylor reminding America why they loved him and why he won in May of '06.
2. Taylor rumbling the studio, setting off a minor earthquake in Los Angeles.
3. Seeing Kara and Paula melting in their seats from his model-esque good looks.
4. Making sure that people realize Danny Gokey is no match and there is no comparison to Taylor. There is one and only one Taylor Hicks.

and last, but not least:

5. Simon looking pained and irritated as he watches Taylor show him what a real *star" looks like - not the pseudo stars that he manufactured, i.e., Leona Lewis, Daughtry and El Divo (who are they, anyway?)

It's payback time to all the naysayers, haters, chrolls and trolls that have infested the landscape these past 3 years. Blow it out your ass! Yes, it's time. Tear that 'ol place down, Mr. Hicks, and show those amateurs how a pro does it!

Seven Mile Breakdown at the Roxy Theater in Los Angeles

Taylor Hicks: 'American Idol' winner loves musicals, envisions TV and film roles, too!

By Paul Hodgins, The Orange County Register
Taylor Hicks sees "Grease's" Teen Angel as a character with training wheels.

A word or two of explanation: Hicks wanted to ease from "American Idol" fame into musical theater with a role that would fit his abilities and wouldn't present him with Shakespearean-sized challenges.

"I'd been offered some roles previously, but I wanted to make sure the part was right for me," said Hicks from somewhere on the road between engagements. Hicks and the rest of the "Grease" cast arrive in Orange County next week; the show opens Tuesday at the Performing Arts Center for a two-week run. Hicks will perform every show except April 29, when he's slated to appear on "American Idol."

"From an observer's standpoint I saw him as kind of an introductory character – that's the best way I can describe it," Hicks said. "I wanted a role that was a great way to introduce myself to the stage and observe what musical theater is all about. It's a small but flashy role that I can really understand and have a great time with."

Hicks has never shied away from challenges. After auditioning for "American Idol" on a lark in 2005 – his brother put him up to it – he met some stiff opposition. Judges Randy Jackson and Paula Abdul liked the Birmingham, Ala., native's down-home singing style and folksy persona well enough, but Simon Cowell didn't. The imperious Brit said Hicks would never survive to the final round.

As Hicks sailed to the top ranks, Cowell publicly conceded his error. Hicks became a Top 3 finalist on May 10, 2006 and won on May 24 (at 29, the oldest contestant to win) in a broadcast that was seen by 200 million viewers worldwide.

"I think from the beginning I took his comments with a grain of salt," Hicks said of Cowell's criticism. "I think with Simon you have to."

Hicks felt vindicated by the public's overwhelming support. "Ultimately, I think this was a great instance of where Simon was proved wrong by the American people. That disconnect is part of what makes the show go round."

By the time "American Idol" made him famous, Hicks had worked for more than a decade in the trenches of pop-music performance, including endless road gigs and a stint in Nashville, which he found frustrating.

"If you really want to make a living playing music, that's not the town to do that. If you want to starve for ten years and then possibly make it in country (music), well, it's fine for that. I was living in Nashville and driving five hours to Alabama, where there was a demand. It was hard just to stay afloat."

EVERY DAY IS A BLESSING

Despite years of toiling in obscurity, Hicks insists he never doubted that some day he would break through as a performer.

"I kind of always had this intuitive feeling, even from when I started traveling at 17, that if I did keep with it I would have a chance – an opportunity to break through."

The hard knocks and challenges of life on the road prepared him for the rough-and-tumble music business, Hicks said.

"I spent ten years cold-calling people and knocking on doors. I know how to persevere. With all those years on the road I learned about the business and who I am as a person. Being basically a nobody, it really teaches you a lot about how to handle things when you're finally a somebody. So I was ready for (fame) – I'd had a lot of preparation."

Hicks also believes in fate. "I got into one of the last taxicabs out of New Orleans before (Hurricane) Katrina (struck). I somehow got a plane ticket to the ('American Idol') audition in Las Vegas. It feels like it was meant to be."

Questions about marriage, kids and commitment draw a vague response – Hicks is still single, living on the road and loving it. (He was named People magazine's Hottest Bachelor for 2006.) "Marriage and kids would be nice and fun and demanding at the same time. But I'm not ready to settle down yet. I left my apartment in February of 2005 and never went back. I haven't had a permanent place of dwelling since then."

Hicks' career plans include more musical theater – he was thrilled to do "Grease" on Broadway for three months before he joined the tour – and perhaps the kinds of roles that draw even bigger audiences.

"Broadway was one of the most amazing things I've ever done as a performer. But I think at some point I want to break into TV and film. I want to learn as much as I can first, though – start kind of small. A career is a marathon, not a sprint. Every morning I get up and remember that the opportunities I've been given are a blessing."

Taylor Hicks To Appear on American Idol Next Week 4/29/09!

Yes, the shit has hit the fan and pigs really do fly! I can't believe it. The Idol producers decide to the right thing - finally - after 3 friggin' years! After 3 years of snarking on their Season 5 Winner. Yes, Taylor Hicks is returning to where it all started for him - on the American Idol stage. No doubt, he will be satisfying the curiosity of millions of AI watchers who have no idea what he's been up to the last few years. Face it, Americans have their heads in the sand most of the time. They'll be able to see the real Taylor Hicks, the musician, singer and entertainer he has become since he left the Idol stage. He will be returning a new man with a new image - a self confident singer/songwriter/musical theater performer who just released his new album on his own label. No winner can say that. How satisfying, eh? What an accomplishment in my book. No doubt, Ryan will be asking him about his role in the Broadway production and his starring role in the touring company of Grease where he plays Teen Angel. I'm assuming he will get a proper introduction this time (as opposed to his non intro during the Season 6 finale when he sang "Heaven Knows").

He will be singing his new single, the rockin' Seven Mile Breakdown. No word whether Simon Cowell will be singing background vocals (I kid), but I can't wait to see him lay that scowl on his face watching his nemesis on stage. Oh joy joy joy!

Since contestant Danny Gokey's late wife was a big fan of Taylor's, I'm actually interested if they'll get a quick handshake on stage, since he and Taylor have gotten their fair share of comparisons this year (although I see little similarity).

Borrowing a line from his new song, "he's going to tear that old place down and be on his way"........ Alright!

Here's some mentions on the 'net:

Taylor Official Site
Taylor's Myspace Page
Taylor's Twitter Page
Taylor's FaceBook Page

Taylor Hicks - Live Videos from Cafe Du Nord in San Francisco!

There was some major hotness coming from the Cafe du Nord in San Francisco on Wednesday, April 15th. That sexaaay beast, American Idol Season 5 Winner Taylor Hicks cut through the misty fog and hit the stage all ablaze and totally steamed up the room. Taylor, man, you gotta wear your shirts like that more often - you're incredible, and I mean that sincerely! Check out these videos:

Woman's Gotta Have It

Thanks to soulkaren for this video!

My Sweet Lord
Thanks to steveandhaya for this video!

Seven Mile Breakdown

Thanks to Robin4T for this video!

What's Right Is Right

Thanks to KarenZ for this video!

Soul Thing

Thanks to Robin for this video!

Taylor Hicks Outsings Kelly Clarkson on National Anthems

Well, I'm terribly sorry Kelly, I don't care how many 'units' big 'ol Clive has pushed out of you, Taylor Hicks blows your version of the National Anthem right out of the water. It's too bad those 'pitch machines' you use in the recording studio couldn't cover your horribly flat, wobbly notes you sang live at the beginning and those god-awful vocals runs in the middle of the song. Hey, just keepin' it real, baby! You go Taylor and show 'em how it's done .... simple, yet pitch perfect with real feeling and sincerity.

Kelly Clarkson @ Opening Day at Yankee Stadium 4-16-09


Taylor Hicks @ Opening Day at AT&T Stadium (SF Giants) 4-7-09

Looking For A Job? Take Inspiration From Taylor Hicks!

Looking out on the morning rain,
I used to feel so uninspired.
And when I knew I had to face another day,
Lord, it made me feel so tired.
Before the day I met you, life was so unkind,
But your love was the key to my peace of mind.
Aretha Franklin - “A Natural Woman”

Although the Queen of Soul first belted this hit over the airwaves more than three decades ago, its sentiments are as relevant now as they were then. Today, every media vehicle teems with negatives. Browser pages on our computers greet us each morning with news of natural disasters, violent crime, and the ever-sinking economy. In such times, we grasp for and cling to encouragement wherever we may find it. When truly fortunate, we are directed to something whose intrinsic worth is more far-reaching than immediate forms of respite and motivation. Often, that “something” is a “someone:” a role model. Neophytes in business have dedicated mentors; sports figures have team captains and coaches. While these are avenues and examples of traditional role models, we sometimes find our guiding lights through routes perhaps not as obvious as these.

When Taylor Hicks first entered our living rooms in January of 2006 via American Idol, he seemed to have anything but “role model” stamped all over him. Gleaning a single winner from the 100,000 hopefuls nationwide, Idol represented the back door, the “hidden job market,” if you will, to Hicks. As one of the oldest contestants and the only one sporting prematurely gray hair, Taylor’s powerful, emotional voice was throwback-bluesy and flavored with old school soul; his stage presence recalled the iconoclastic and admittedly spastic Joe Cocker. Hicks, a Birmingham, Alabama son born and bred, was 180 degrees removed from the ultra-cool vocal styling and fashion sense of the younger, hipper, more marketable competition that had historically reached the summit of the Idol ladder. Taylor knew full well that he was facing an uphill battle.

However, as Simon Cowell unleashed a resounding “Nay” to this underdog’s entry into the competition, few could have envisioned that Taylor would not only win American Idol, but become a role model for so many, including the founders and members of charitable organizations that sprang up in his honor, and those of us now facing apparently fruitless job searches. An obscure singer, songwriter, and instrumentalist touring the Deep South for nearly ten years, Taylor conducted his own brand of networking via his job search for a seemingly elusive record contract. Half musician/singer/songwriter and half self-promoter, Taylor marketed himself ferociously to all potential employers. Peddling his independently released and self-bankrolled CD’s, “In Your Time” and “Under the Radar,” from the back of his van, he pitched record producers, DJ’s, and other would-be reps: the counterparts to human resources personnel, hiring managers, and recruiters. But all of his knocking never opened a single door. Undeterred, Taylor re-applied himself to his job search with unwavering focus and drive.

He researched, contacted, and sweet talk-badgered booking agents, gaining occasional buy-in’s from established luminaries such as Jackson Browne and James Brown, who allowed Taylor and his band to open for them … without pay. The never-say-die Alabamian also networked with rising stars such as Dierks Bentley, a buddy from Taylor’s frustrating Nashville days and now a country music recording star.

The inroads that Taylor carved, however, were not enough for a man driven to make his living exclusively by crafting, recording, and performing his music. In desperation, he turned to the one place where he was almost certain to meet defeat: a reality show whose audience seemed to crave younger, moldable talent ripe for commercial radio. In capitalizing upon his equivalent of the hidden job market, Taylor realized his dream, hopping a train to victory paved with the tracks that he had laid with faith, focus, and application. Garnering the lion’s share of the final 63 million public votes, Taylor Hicks nailed a million-dollar contract with Arista Records. When this relationship later dissolved via mutual consent, and through Taylor’s desire to gain full creative control over his work, the winner continued to market himself conscientiously, expanding his network of possibilities.

Now flying under his own label, Modern Whomp, Taylor will launch his newest work, “The Distance,” on March 10, 2009, as produced by Eric Clapton/BB King/Faith Hill collaborator Simon Climie. His additional, independently won accomplishments include a bring-down-the-house role in the Broadway-gone-national gangbusters play, “Grease,” and a Lifetime Achievement Award bestowed by the renowned children’s medical research and services organization, the Shriners Hospitals for Children. A clear winner on many fronts, Taylor does not rest on his laurels: he continues to market himself constantly.

Attempting entry into a job market glutted with competition, we, as job candidates, can take inspiration from Taylor’s trials and triumphs. If the job boards, print ads, and recruiters do not yield viable opportunities, we must network via less obvious routes. We must establish connections and/or reconnect with members of industry/professional groups, school alumni associations, and various organizations, such as local Chambers of Commerce as well as charities for which we may volunteer. (Taylor, by the way, was “giving back” to the community even as a struggling musician; primarily to Kid One Transport and Studio by the Tracks). We must also capitalize upon opportunities inherent in the ever-growing member populations of Internet sites such as Linkedin, as well as the large social networking boards: Facebook, MySpace, and the recently popular Twitter. Like Taylor Hicks, with diligence, concentration, and the courage to step “outside the box,” we may yet emerge as winners.

SOURCE

Simon Cowell Gives AI Contestant, Matt Giraud High Praise!

I couldn't believe my eyes and ears when Simon gave Season 8 contestant Matt Giraud the highest praise possible last night when he was compared to Season Five Winner Taylor Hicks! Wow! Imagine that! Taylor's worst critic finally seeing the talent it took to win the show 3 years ago. After all, Taylor outlasted and kicked to the curb the following people from AI5 - Bucky Covington, Kellie Pickler, Chris Dewtry, Elliott Yamin, Paris Bennett, Katharine Mcphee, Ace Young, and Mandisa. Quite a group of singers that fell victim to the dynamics of Taylor Hicks! And didn't Season 5 garner the highest ratings in the 8 year history of the show so far? And wasn't the Season 5 tour the biggest grossing AI tour EVER?

If Matt becomes half the singer, performer & drop dead hunk of gorgeous man that Taylor is, then he should breeze into the winner's circle with ease come May.

Glad you finally see the light, Simon Cowell, and I hope Matt kicks ass this season.

American Idol 8 - The Backdrop... and a few choice comments

When the final countdown starts in January for Taylor's brand new CD (which will drop February 10 - and the Warfield DVD on February 17) and the national 'Grease' tour is well under way, American Idol will be starting up again, for the 8th damn time. Can you believe that? Well, not to be outdone by their nastiness toward Taylor last year, they decided to put the smallest of pictures of him up on the backdrop - almost behind the ugly-ass stupid fake plastic plant in the corner of the auditon room - with a leaf almost covering up his face. I guess I shouldn't complain too much - at least we see him - last year was a rarity. Anyway, here's one of the promos for the show. I dunno about you, but this stuff is just not funny to me anymore. Man, the show needs cancellation in a seriously major way.



This makes me wonder if anyone can airmail this 6 story, 60 foot poster of Taylor (see below) to Simon and Simon on AI to show them how he needs to be displayed - the way the producers of 'Grease' on Broadway saw fit by proudly hanging it in Times Square, in the Big Apple, all summer long. I mean *really* people - if it wasn't so pathetic it would be really sad at the vindictiveness they continue to exhibit 3 years later. How does one flip the bird in writing?

Taylor Hicks - Regaining Control of His Career

As Taylor enters a new chapter in his career with a brand new CD on a brand new label dropping this Fall, a new national and international tour next year, a compilaton CD of his pre-Idol days called "Early Works" (out August 12 - details to come shortly), a DVD of his 2007 concert tour, and presently, the star of *Grease* on Broadway, I thought back on the first time Simon Cowell saw Taylor and said he "should be singing backgrounds - not in the forefront". I only hope he walked on the corner of 47th and 7th Avenue in New York City this summer to see Taylor's 10 story billboard - or better yet - the reactions he's getting from the 100,000 or so theater-goers he'll have played to this summer at the Brooks Atkinson Theater. He recently said in a radio interview that he's happy to have regained control of his career. This "Grease" gig is probably the best career decision he's made yet.

Does this look like someone who should be singing in the background?
I think not!

Video by Skeeter/Candy

And to the jealous haters out there who insist Taylor crawled into a hole 2 years ago, I suspect this crowd outside the Brooks Atkinson Theater on Broadway didn't get the message.

Photo by Wildrosegirl76 (Click for larger version)

Could you just die looking at this heart-stopping picture of this hunk 'o man? GAH!
Photo by Taylorbug (Click for larger version)

And I'll Never Get Tired Of Looking at Taylor's Name Hanging off the Marquee!

Taylor Hicks - Check My Digs Out Simon! Living The High Life in NYC!

According to a blurb in today's NY Post, "Taylor Hicks has a suite setup in a celebrity-loving condominium building. The American Idol winner, now a Broadway star, is the latest boldface name to take a pied-à-terre in the Atelier building - just a short sashay to the Brooks Atkinson Theatre where he co-stars in "Grease."

The Post has previously reported that Lindsay Lohan and Nick Lachey (and we suppose Vanessa Minnillo) have been provided with free apartments at the amenity-laden West 42nd Street complex. We're hearing Hicks doesn't have a similar pay-us-later deal, and his lease is up on September 15 (he leaves "Grease" on September 7).

"He's currently purchasing pieces and working with designers to make his apartment his own comfortable place," says a source. Our Micki Siegel will have an exclusive look inside Hicks' place later in the summer."

You can live here too if you're rich! Seems the one-bedroom furnished model is currently being rented for a mere $4,600/month! Check it out here.

So the next time you see a chroll crawling around the 'net, just remind them of Taylor's summer digs and watch them crawl back into their roach infested hole :)

Who Needs a Tony When You Got Taylor Hicks!

And the good press just keeps on rolling....

“Grease” is getting more than a second wind on Broadway. The satisfying revival of the popular musical just got two new leads in the production, Ashley Spencer and Derek Keeling, both came from the television casting show “You’re The One That I Want” but were runners-up. Even better for the show is that the New York Post’s Michael Riedel (who else?) reports that the arrival of Taylor Hicks on Broadway has been a huge bonus at the box-office, Riedel’s source estimates he’s worth at least an additional $150,000 a week in ticket sales..."

-Broadway Magazine, Broadway.tv

NY Post Theater Review: Taylor Hicks Ignites *Grease*!

The NY Post gave Taylor a glowing review today for his performance in *Grease*! I knew he'd shake up Broadway in a serious way, in a way only Mr. Hicks can do! All I can say it's ABOUT FUCKING TIME he got some accolades thrown his way after 2 friggin' years of American Idol pissing on him! Let's now see who's getting the last laugh - I'm talking to you Nigel Lythgoe and Simon Cowell. And one more thing, to those fans who think we should just 'drop' this anti-American Idol sentiment, i say 'no can do'. I will never forget their viciousness they went on and on about ad nauseum concerning their Season 5 winner.

Here's the story for your reading pleasure (and oh yea, go to the NY Post article and *Digg* it up and "Buzz" it up so everyone can feast their eyes on this baby!

DESPITE PANS, REVIVAL GETS BOOST FROM 'IDOL'
by Michael Reidel

TWO shows that shouldn't be making it - but are - must be given their due today.

First, "Grease" - which vaulted right over the critics to box office glory. It's playing to sold-out houses and is grossing nearly $800,000 a week.

It got a little lift from the Tonys, but its real draw this summer is "American Idol" winner Taylor Hicks, who's playing Teen Angel.

An insider says Hicks is worth at least $150,000 in extra ticket sales a week.
(Make a note of that, Mr. Agent.)

Whenever Hicks whips out his harmonica, the audience goes nuts.
They're having such a blast that the "Grease" megamix at the end of the show - this is where the critics ran screaming from the theater - now runs 10 minutes, with Hicks singing the title song and then playing it on his harmonica.

Meanwhile, the producers of the show are no longer flinching from the critical blows but are starting to have fun with them.

Charles Isherwood recently wrote: "Are the Tonys going to open up the lines so viewers at home can phone in their votes for their favorites? In which case perhaps 'Grease' would have been the year's big winner."

Look for a newspaper ad that will say:

"If the audience had voted, Grease would have been the year's big winner!" - Charles Isherwood, The New York Times.

Source: NY Post michael.riedel@nypost.com

Taylor Hicks Sings "Beauty School Dropout" on Regis & Kelly

Part 1 (Performance)


Part 2 (Interview)

Taylor Hicks Hangs From a 10 Story Building in NYC!

Yes indeed he does! I'm pretty sure all his fans have seen this, but if you happen to be in NYC on 47th and 7th Ave. this summer, you might want to look up because THIS beautiful vision will be in your sight. Taylor is receiving some of the best publicity and attention he's ever gotten since his win on American Idol in Season 5. Those publicists on Broadway know how to promote their own people eh? Clive and Co. should take notes. And come to think of it, I would be glad to send Simon this giant bigger-than-lifesize, 10 story poster of Mr. Hicks to stick his gum on! Heh! In fact, I'll have to send him a BIG sky-lift to bring his fat ego up to Taylor's level - all the way up on the 10th floor! Read this and weep Nigel -"starring Taylor Hicks". Notice no mention of "American Idol Winner" on that ad?

Maybe on next season's backdrops, Taylor won't be decapitated again and get stuck behind the potted plant. Ya think? Pfttt. Does it really matter anymore? Nope!

Thanks to DeeDee56 for the picture!

Taylor Hicks - The Funk Was Missing from American Idol This Year

Part two of WALA's Fox Ten News exclusive interview with Season 5 American Idol Winner Taylor Hicks aired tonight. The interview is below. You can see Part One here.



GULF SHORES, Ala. -- When Birmingham-native Taylor Hicks was singing his soul out on stage in 2006, fans in the Yellowhammer State were screaming out theirs in support. "It just seemed like the momentum was getting bigger and bigger," reflected Hicks. "The Soul Patrol was getting bigger and bigger. The weeks really lined up for me, Elvis week, then Rod Stewart week - some of those variables that allowed my to shine as an artist."

2006 Winner

Shine he did. Hicks claimed the 2006 title in the highest-rated season finale of American Idol to-date - with more than 36-million viewers watching. "It was a fun ride; I'd love to get back on it and do it all over again."

Hicks’ thoughts of Idol judges and host

As Hicks prepares for his role of "Teen Angel" in the Broadway production of "Grease", he reflected on some of the other stars of "American Idol."

Hicks associated the following names, with the following words:

"Simon: Mean. Randy: Cool. Paula: Fun. Seacrest: Smart.

Seacrest is the wittiest guy that I've ever run into. He's so quick, that you're nervous about what you're gonna say around him, because he's got something to say right after you. He's the Dick Clark of our generation."

Not to say Simon Cowell wasn't intimidating. "I must admit - Simon was the same person on camera and off. He has a very good track record of pop music and I respect his opinion, and I thought he was a good guy (wink and laugh)."

Does Cowell have anything other than black shirts to wear? "I tried to send him a Soul Patrol shirt but I think he tried to send it back!" exclaimed Hicks.

Something's missing this season

Hicks said he's been enjoying this season of Idol, but in his opinion - one thing's been missing from the shows. "I just want to see everybody get down on the floor and get funky like I did... but that's just me."

Look out Broadway, because Taylor Hicks is about to bring his Alabama style to the Great White Way.

Hicks' "Grease" Debut

Hicks' "Grease" debut is June 6. He said he'll add a soulful flavor to the song "Beauty School Dropout." Several other Idol artists have performed on Broadway, including season 3 winner Fantasia and season 2 runner-up Clay Aiken.

Taylor Hicks - "I'd like to drop Simon Cowell into the infield of Talladega and see what happens"

Okay racing fans!! Taylor Hicks will sing the National Anthem prior to the Aaron’s 499 Sprint Cup Series race at Talladega Superspeedway. Check back later for video and (hopefully) some thud-worthy pictures!

In the meantime, here's a little blurb from the Orlando Sentinel - awesome!

Nothing too eventful at the drivers meeting, but we did meet the celebrities attending the race. Connie Chunt, Tommy Tuberville, Taylor Hicks and Maury Povich.

Hicks will be singing the national anthem before today's race, his second Talladega gig. About seven years ago he played a gig on top of a motorhome in the infield.

"I'd like to drop Simon Cowell into the infield of Talladega and see what happens," Hicks said.

He was asked if he like Auburn or Alabama and replied, "I'm not going to answer that at Talladega. I'd end up like Simon Cowell."

Heck, I'd pay $100 to see that too :)

AN OPEN LETTER TO THE AMERICAN IDOL PRODUCERS

Here's a letter by Jenni Jac, who voice clearly echos many viewers feelings about American Idol (what's left of them) who's votes apparently mean nothing - that's according to the show's producers, judges, and associates. Be careful, big shots, karma works in mysterious ways and soon, very soon, the show, and all those associated with it, will go the way of 'My Mother The Car', filed under 'Irrelevant TV Shows'....

"Dear producers of American Idol, Idol Judges, and Idol Associates,

Lately our heart has grown heavy and filled with remorse. We realize now that we have carelessly thrust a mountain of angst upon you. We, the American voting public have caused a wound that seems to have festered even more over the passage of time, and for that we are deeply sorry. As valiantly as you may try to tuck it away, the inner torment seems to be eating away at you. It seems you can no longer hold it in, as you repeatedly cry out: "The Idol voters made a mistake!! Why did they ever vote Taylor Hicks the American idol, why? why?!!!" Oh my God, what have we done?

After hearing your repeated and united cries of injustice, it is finally beginning to sink in. What were we thinking? We allowed a man with a unique voice, charisma, and stage presence to steal the crown away from other contestants with more marketable genres. I mean, Ray Charles, Otis Redding and Sam Cooke are so-o-o 1960s. That crap will never make it onto top 40 radio in the 21st century. To make things even worse, that ungrateful bastard Hicks decides to shun your generous management offer, cutting you out of a big chunk of revenue. I mean really, what is so wrong with a 40% management fee, or even more? You made him, right? We totally understand why you can barely bring yourself to show his picture or mention his name on the show anymore, what with all the financial and emotional damage he has caused.

So yes, we are deeply sorry and ready to atone. With our experience and hindsight, we can tell you how to avoid a travesty such as this in the future:

1. Screen your prospects carefully. Avoid throwback styles altogether. Their musical knowledge should be limited. If they know more about music than Simon Cowell, it will reflect badly on the show. "Empty Vessel" is the operative term here.

2. Avoid picking contestants that use terms such as "vision", "dues", or especially "songwriting". Believe me, they will cause you nothing but heartache in the future.

3. Once you have your contestants chosen, outfit them all with burkas, so they will be completely covered from head to toe. Next, strap them to a chair. This will eliminate any possibility of voters being swayed by attractiveness/unattractiveness, fashion sense, dance moves, smiles, smirks, facial tics or gestures that could either endear or alienate them to the voters. Just to be safe, put them in their burkas behind a screen and show them in silhouette. You really can't be too careful.

4. Pick one song each week and make every contestant sing it. Ignore their pleas for different arrangements. There is good reason for this. If their own song choice or arrangement goes over well, it will only embolden them to demand more artistic creativity when it comes time to cut that record. That can be such a pain.

5. After each performance, instruct Ryan to ask questions that can be easily answered with either "yes", "no", or "maybe". Place these words in a board and give the contestant a laser pointer to pick the appropriate response. This will bypass the personality factor altogether which is not required for a top 40 hit, so don't be tempted. The "No Speak" tactic will also thwart attempts to mobilize or define any fanbase. That just gets messy.

6. Do not allow them to hold up fingers reminding the voters what number they need to vote for. No reason for this other than it continues to annoy us. You could consider allowing them to stomp their number out on the floor like one of those math horses, but that option is strictly up to you.

7. IMPORTANT: You will need to put a crawler at the bottom of the screen to continuously remind voters that they are voting for contestants who will sell the most records, instead of the ones you actually want to see perform again next week.

Well, I hope we have been helpful. Sorry again about the Taylor thing, I'm sure it won't happen again."

More Collaboration News for Taylor Hicks!

Simon Cowell was on Oprah today and again force fed the audience his acid pablum about how American got it "wrong" picking Taylor in Season 5. To add insult to injury, he then trotted out his money tool hopeful Leona Lewis from England for his American brainwashing. To that, Mr. Cowell, I submit my visual response (and America's) to your never ending pile of oral bullshit on the left.

And while I'm at it, here's a nice little blurb from the Masterclass Vocal website, who is still touting Taylor's singing skills two years later. Take that Mr. Cowell. Rosanne Simunovic writes:

I always take artistry into major consideration when evaluating the singers. Very important and, yes, Idolina, Brian Melo was a great example of this.

So was Taylor Hicks. He didn’t have the strongest voice, but was a master at interpretation. Also, he really knew how to entertain and stimulate his audience. He had great respect for the music and the listeners.

Okay onto some GREAT news on the Taylor Hicks front! We have more collaboration news from Nashville! Seems songwriter Zane Williams from Big Yellow Dog Music Publishing had an encounter with Taylor a few weeks ago. According to his write up over here, "Another fun surprise happened a couple weeks ago when fellow Big Yellow Dog writer Pat Mclaughlin introduced me to his co-writer up at the office, who happened to be Taylor Hicks. His season on American Idol was the only one I really watched on a regular basis, and I thought he was a really unique presence, so it was interesting to meet him in person!".

Pat's music seems like a perfect fit for Taylor in that it's a little bit country, blues, r&b, soul and pop all meshed into one - not to mention the guy sounds exactly like Taylor's hero Van Morrison.

McLaughlin's compositions have been recorded by a jaw-dropping array of artists including Bonnie Raitt, Alan Jackson, Taj Mahal, Trisha Yearwood, Al Kooper, Nanci Griffith, Josh Turner, Shawn Camp and Don Williams. Gary Allan recorded Pat's "Songs About Rain," securing yet another BMI Country Award for McLaughlin. An in-demand studio musician, Pat's guitar "chunking" finessed projects by Jamie Hartford, Rosanne Cash, Julie Roberts, Don Williams, Al Cooper, Shawn Camp, Cowboy Jack Clement, Neil Diamond and many more.

Check out a couple of these sites from more information on Pat McLaughlin:
http://www.bigyellowdogmusic.com/patMcLaughlin.html
http://www.patmclaughlin.com/Sounds-Discography.php
http://www.myspace.com/patmclaughlinrocks
http://www.bmi.com/musicworld/entry/234438

Pat on The David Letterman Show a few years ago: